1. |
Eyes - Live
03:45
|
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2. |
Jimmy Rover - Live
04:37
|
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Jimmy Rover reporting in sir
Saturn’s rings have begun to blur
Please come take over, I wish you would
Before Orion shoots me, please, if you could
Saturn’s mouth has turned and sneered
I don’t hear you now but I’m seeing you clear
You must be stoned, I’m seeing signs
She said, “Join in,” not to cross the line
Jimmy Rover
I’m reporting in
Jimmy Rover
Can you hear me out there?
Solitary worker-bee in the vacuum of my hand
Mr. Rover far from friends and family
Jimmy Rover, heyday, mayday
Send the Red Cross ship, I’m having a day
These crazy clowns all around, the next time you’ll see me
I might be vacuumed out
Jimmy Rover
I’m reporting in
Can you hear me out there?
Solitary worker-bee in the vacuum of my hand
Mr. Rover far from friends and family
|
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3. |
||||
4. |
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5. |
Tomahawk - Live
04:22
|
|||
time like tomahawk
circles through our days
bites with spirit of
old mother’s many ways
Custer puffs his chest
Western air disguised
painted warrior tearing through the sky
now it’s war
knowledge lost
but the tomahawk correct you
so keep on war
knowledge bust
heard the radio
way it demonize
yeah there’s right there’s wrong
the truth still waits in line
so will you lock the door
or open up your arms
in preparation for
or the prevention of
now it’s war
knowledge lost
but the tomahawk correct you
so keep on war
knowledge bust
time like tomahawk
circles through our days
now it’s war
knowledge lost
but the tomahawk correct you
so keep on war
knowledge bust
credits
|
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6. |
Suzie - Live
04:57
|
|||
suzie comes from the depths boys
oh she never, never stops to rest
cover up your neck now, please stay awake
she’s a vampire, she’ll take you down
no suzie, your fire burns me baby
no suzie
i know just what she’s thinkin’
i better watch out cause, i’ve been doin’ some drinkin’
although i must admit i miss that touch
lord the fire, burns too much
no suzie, your fire burns me baby
no suzie,
no suzie, i’m drowning in the black
no suzie, i’m driftin’ in the black
when she sinks her teeth into you
your eyes go black, and you see nothin’ new
don’t believe your spirit when suzie comes up to say
“you’re a vampire now my boy follow me this way”
credits
|
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7. |
Save - Live
04:49
|
|||
reduction to that oil slick
brings together a momentary illness
suction on your providence
keeps together your dirty little secret
save me from the old
ways of thinking - decimate
save me from the gold
chase the number
rock the leather like you won the bid
the puddles getting deeper in every step
cut the fuse on your conniption fit
you know cause money’s no good after you swallow it
save me from the old
ways of thinking - decimate
save me from the gold
chase the number
reduction to that oil slick
seeps forever
save me from the old
ways of thinking - decimate
save me from the gold
chase the number running slave
chase the number running slave
chase the number running slave
|
||||
8. |
||||
well the stars open up as the duke knew they would
I watch him stare in cloak and hood
drunk, pissed, and wielding no good
he guts the whore’s mother feeling he should
well it’s morning and I tail the duke through the meadow
I find him toking pipes with a red bearded fellow
then holding a blade to his throat feeling mellow
gashes a diamond waterfall an almighty rebel
the duke, the duke of the valley
his horse no taller than my Sally
the duke, the duke of the valley
his horse no taller than my Sally
at this time well the king enters the floor
he seizes the moment to inspire the poor
“let him wander the streets a pawn of whores
you know a mud-like creature with puss and sores!”
the duke, the duke of the valley
his horse no taller than my Sally
the duke, the duke of the valley
his horse no taller than my Sally
credits
|
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9. |
Most Evil - Live
03:04
|
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10. |
Elephant
03:29
|
Fire in the Field Boston, Massachusetts
Fire in the Field immediately makes an impression with their eclectic style of heavy driving rock. The band's signature endorphin-releasing, guitar-driven sound has a bluesman's swagger and a punk heart. Mike Moore (Guitar/Vocals) channels Hendrix via Prince, both musically and in showmanship. Jared Graham (Drums), Jeff Badolato (Bass), and Moore explore a melting pot of influences ... more
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